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Prodution process 02: Silk Screen Printing on Gampi Wahi paper

marking

1) Stencil alignment. Silk-screen printing requires each color to be printed individually. The initial alignment of stencils is critical, and it really relies on craftsman’s instinct acquired over many years.

The first print

2) The first print. Blue ripples are printed.

The first print

3) Each sheet is printed cautiously by hand. The skill in manipulating the squeegee – the angle and speed – reflects on the texture of printing. Now’s the time for a craftsman to show his mastery.

long table

4) Washi sheets are placed in a row on a long table. A craftsman moves along the table to do his work.

The second print

5) The second print. White is printed. There will be more colors to come.

The third print

6) The third print. A lotus is colored green.

The fourth print

7) The fourth print. Yellow is printed on goldfish.

The final print

8) The final print. Finishing touch of red.

Lotus and Goldfish

9) The pattern for Mizuuchiwa(Water Fan) “Lotus and Goldfish” is completed.

peeled off

10) Now each printed washi sheet needs to be peeled off from the table. Extra-thinness of Gampi washi requires extra care not to be torn.

peeled off

11) Printed washi paper will be sent to a fan craftsman in Marugame.

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